Carl Wilhelmson

1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop


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Carl Wilhelmson for vart dagliga brod oil


for vart dagliga brod
Painting ID::  65596
for vart dagliga brod
1925 se
1925 se
   
   
     

Carl Wilhelmson ro oil


ro
Painting ID::  65597
ro
1925 se
1925 se
   
   
     

Carl Wilhelmson interior fran lansstyrelsens sessionssal oil


interior fran lansstyrelsens sessionssal
Painting ID::  65598
interior fran lansstyrelsens sessionssal
se
se
   
   
     

Carl Wilhelmson fiskebatar, odaterad oil


fiskebatar, odaterad
Painting ID::  65599
fiskebatar, odaterad
se
se
   
   
     

Carl Wilhelmson batar vid fiskebackskil oil


batar vid fiskebackskil
Painting ID::  65600
batar vid fiskebackskil
se
se
   
   
     

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     Carl Wilhelmson
     1866-1928 Swedish painter and lithographer. Wilhelmson trained first as a commercial lithographer in Göteborg. In 1886 he enrolled as a student of decorative painting at Valand College of Art where his teacher was Carl (Olof) Larsson. In 1888, having obtained a travel grant, he went to Leipzig to study lithographic technique. From 1890 to 1896 he lived in Paris, where he worked as a lithographer and commercial artist and studied at the Academie Julian. Wilhelmson's preferred subject-matter was the coastal landscape of Bohuslen and the people of its little fishing villages with their huddles of wooden houses. There is no trace of ethnography in his depictions of local life; they are full of serious realism and display a sensitive insight into the perilous life of the fishermen, with which he had been familiar since childhood. In the Village Shop

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